other writing

Essays, Fiction, Translation


The Art of Stillness

Guernica, June 2020

**honored as Notable in Best American Essays 2021

[figure modeling, cancer screenings, images of the body]

In Case You Need Reminding, A Book is Not a Baby

LitHub, Sept. 2020

[inadequate metaphors, motherhood, writing]

In Search of the Miraculous

Kaleidescoped, Winter 2021

[google searches, a separation, Bas Jan Ader, mirrors]

7 Books About Authorship Hoaxes

Electric Literature, Dec. 2023

[plagiarism, literary scams, appropriating other people’s stories]

Tip of the Tongue

Entropy, May 2021

[dementia, grief, composure while caregiving, forgetting]

 

The Acknowledgements Are My Favorite Part of a Book

Electric Literature, July 2021

[acknowledgments page, paratext, literary community]

The Hunter and the Hunted

Catapult, Sept. 2019

[being stalked, running, obsessive attraction]

 

Savage Skin

Palimpsest, 2019

[FICTION: childhood best friends, top surgery, mastectomies

Petrushka by Pepa Merlo (trans. from Spanish)

Alchemy, Winter 2018

[FICTION: watching strangers, time passing, distance]

Every Bed I’ve Ever Slept In

Cosmonauts Avenue, 2017

[lovers, prophecy, the uncanny, grief]

The Art of Attention

Electric Literature, March 2018

[teaching poetry, making performances for one person, Odyssey Works, close attention]


CRITICISM

 

BOMB, Summer 2025 [print]

Master of memoir Melissa Febos highlights the paradox that renunciation brings us into closer relationship with what we give up. I predict a “hot celibacy summer” afoot for many after reading this book.

Full Stop, Summer 2021

Epistolary criticism written with Leora Fridman, interweaving queer theory, Black studies, friendship, eros, intellect, art, religion, body, and breath.

SFMoMA’s Open Space, Nov. 2020

On Jemila MacEwan’s endurance performance, Human Meteorite, in which they dug an impact crater daily for a month in Point Reyes, CA.

BOMB, Spring 2023 [print]

Catherine Lacey’s criminally good novel troubles the boundary between performance and life, person and persona, as the narrator C. M. Lucca attempts to write a biography of her wife, the acclaimed artist X.

Los Angeles Review of Books, April 2018

Tamar Adler revises retro-kitsch recipes for dishes like Baked Alaska, Oysters Rockefeller, or Oeufs en Gelée.

Glasstire, July 2017

On Send Me SFMoMA, a program developed by Jay Mollica that allows phone users to poetically stumble upon works in the museum’s massive collection.

Los Angeles Review of Books, Nov. 2023

Conceptual artist Sophia Giovannitti reveals some of the gristliest joints of sex, power, money, and meaning in this work of autotheory about sex work and the artworld.

Glasstire, April 2017

Sharon Louden gathers 40 artists to create a picture of artistic citizenship, where competition is eschewed in favor of collaboration and camaraderie.

Glasstire, March 2017

Catherine Lacey and Forsyth Harmon create a web influence, tracing artists’ messy extramarital affairs, unrequited crushes, second and third marriages, lifelong friendships, fruitful mentorships, and inspiring muses and the art that was made as a result.

 

INTERVIEWS

Emily Hunt Kivel on Dwelling for BOMB, Aug. 2025

Maggie Millner on Couplets for
The Rumpus, Jan. 2023

Lars Horn on Voice of the Fish for
Bookforum, June 2022

Cyrus Dunham on A Year Without a Name for Electric Literature, Nov. 2019

Emily Barker at the Whitney Biennial for BOMB, Summer 2022 [print]

Chelsea Hodson on Tonight I’m Someone Else for The Adroit Journal, Aug. 2018

Nina Katchadourian at The Blanton Museum of Art for
Glasstire, April 2017